![]() ![]() ![]() , Google Scholar CrossrefĪbsolute pitch among students in an American music conservatory: Association with tone language fluency,” J. The development of absolute pitch: A theory concerning the roles of music training at an early developmental age and individual cognitive style,” Psychol. , Google Scholar CrossrefĪre lexical tones musical? native language's influence on neural response to pitch in different domains,” Brain Lang. , Google Scholar CrossrefĬross-domain correlation in pitch perception, the influence of native language,” Lang., Cognit. Tone language speakers and musicians share enhanced perceptual and cognitive abilities for musical pitch: Evidence for bidirectionality between the domains of language and music,” PLoS One 8(4), e60676. Musicians and tone-language speakers share enhanced brainstem encoding but not perceptual benefits for musical pitch,” Brain Cognit. , Google Scholar CrossrefĬerebral asymmetries in humans are due to the differentiation of two incompatible processes: Holistic and analytic,” Ann. Perceptual equivalence of acoustic cues in speech and nonspeech perception,” Percept. The influence of linguistic experience on the cognitive processing of pitch in speech and nonspeech sounds,” J. , Google Scholar Scitation, ISIįamilial aggregation of absolute pitch,” Am. Symmetric interactions and interference between pitch and timbre,” J. Lexical tone perception in musicians and non-musicians,” in Ninth European Conference on Speech Communication and Technology, Lisbon, Portugal. These results suggest that less musical or even amusic subjects may not suffer impairment in linguistic pitch processing due to the multidimensional nature of pitch cues. ![]() However, there were no effects of language experience on musicality scores or cue integration strategies in pitch perception. Overall, the results show a strong musicality effect: Listeners with higher musicality scores relied more on f0 in pitch perception, while listeners with lower musicality scores were more likely to attend to spectral cues. Both Mandarin and English listeners were recruited to participate in two experiments: (1) a pitch classification experiment that tested their relative reliance on f0 and spectral cues, and (2) the Montreal Battery of Evaluation of Musical Abilities that objectively quantified their musical aptitude as continuous musicality scores. This study aims to examine whether musicality and language experience have effects on listeners' pitch perception strategies. I can't find dates for those shows but Eurobeat was last year or 2008.Pitch perception involves the processing of multidimensional acoustic cues, and listeners can exhibit different cue integration strategies in interpreting pitch. Theatre includes: Eurobeat – Almost Eurovision (Edinburgh Festival) Chicago (Adelphi Theatre London) Believe In Yourself and Seeing Tomorrow (both Epsom Playhouse Theatre) the title role in Aladdin (Melton Theatre) Andrew Lloyd Webber’s 50th Birthday Celebration (Royal Albert Hall) Steven Sondheim’s Birthday Celebration (Theatre Royal Drury Lane) Mike in A Chorus Line, Tony in Copacabana and Cat in Honk! (Chester Theatre Group) Bugsy Malone and Tin Pan Alley (NYMT). There's a picture of her on it and she looks so different and younger.Ģ9 Jul 05 - New Producers Principals, Williamson Tours Feverġ6 Jun 05 - Extensions: Death of a Salesman & Saturday NightĢ1 Feb 05 - Zimmerman Roasts Industry, Acceptance Excerptsġ5 Dec 04 - Reality TV’s Pearce, Dent & Halfpenny Hit West EndĢ3 Nov 04 - TV's Musicality Winners Debut in Birthday ChicagoĪnnette (Lead) SATURDAY NIGHT FEVER Dir: Arlene Phillips This is a fan page for her on Facebook but it looks totally dead and never used. I've had a look around and managed to find thisĢ008 - 2009 Principal Singer Theatre (Tour) Best Of Musicals 2006 - 2007 Fairy Port MeadowTheatre Dick Whittington What ever happened to the winners? I tried google and no luck ![]()
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